THE VATICAN HAS APPROVED THE FILM blasphemous "I am with you" atheist GUIDO
IL VATICANO HA APPROVATO IL FILM BLASFEMO "I am with you" atheist GUIDO CHIESA
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Article by Vatican Radio:
The intense relationship between Mary and Jesus in the film "I am with you" in competition at the Rome Film Festival 11/03/2010 14:20:29
The Italian director Guido Chiesa, known for its political commitment demonstrated in previous films, presented in competition at the Rome Film Festival unexpected, intense and cinematic reconstruction of essential Gospels: Mary and Jesus are the focus of "I am with you," the film which love and trust between A mother and son keep the mystery of God and His plan of salvation for humanity. The service Luca Pellegrini:
A mother and son. Play, smile, look, they hug. At the slightest danger, they are close. We are in Nazareth two thousand years ago. Guido Chiesa, after a series, although short, politically and socially engaged film, go to the movies, to tell the story of Mary and Jesus son of a sustained thought, wanted at all costs. The feeling is that that is the result of his spiritual need genuine and irrepressible, was born the day after his paternity and a broad exchange of ideas with his wife, Nicoletta Micheli, who with him attended the stesura della sceneggiatura, rimodellata più volte. Vi ha lavorato all’inizio con un’adesione – confessa – di tipo razionale e materialistico, un percorso intellettuale e soltanto emotivo. Poi è diventato un atto di fede e di adesione a quel Vangelo che andava scoprendo e raccontando al cinema. Siamo fuori dall’iconografia tradizionale, siamo dalle parti di Pasolini per l’essenzialità dell’immagine, del tratteggio dei personaggi, ma l’intensità della ricerca non si ferma alla storia o al fascino esteriore. Penetra l’anima. Maria non è un’umile donna messa in disparte nel nucleo familiare patriarcale. Ha un temperamento docile e forte insieme, si oppone alle violenze e alle imposizioni rituals, shaking a trusting relationship with her son who has a supernatural flavor, where all but the transcendent is obscured in the film, stopping only to that relationship and his mysterious love.
's still Guido Church which explains why the Gospel of the Child has so intrigued and fascinated - although a few episodes is taken from the Apocrypha, perhaps to give a flavor to the original story: "I tried to speak to everyone, without distinction culture, faith, preferring a female perspective and propose a positive model based on love, a word now so insulted. " It is never conventional, the director, who makes use of unknown faces caught in everyday life in Tunisia - to represent the most reliable environment under which the birth of Jesus - a multi-colored and rough terrain where it was shot on film that stretches from the days of the Annunciation to those of the finding of Jesus in the doctors in the Temple. Guido Church has reiterated several times: do not want to offend, even if there are angels and shepherds, there's the comet, and there are the Magi. Mother and Son are the focus of his interest an artist and man, the first put herself entirely in the hands of God, confronts the mystery and pain, the second relies on the mother until he understands that his freedom may be more small, its mission in the world is another. "It tells the story of a woman who forever changed the face of humanity" - says the director again. "I am with you" is, therefore, a well-chosen title: Mary with her Son, Jesus with all of us.
http://www.oecumene.radiovaticana.org/it1/Articolo.asp?c=435987
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