Today is the day of discussion of the Reformation of the University of the Berlusconi Government in the Senate, whose approval is now taken for granted by many.
And throughout Italy marches and demonstrations by students and researchers are renewing their decided not in respect of the bill Gelmini. Even today, Vulcan has followed a protest in Milan.
Street Feast of Forgiveness. At 9.00 there is a collective defense organized by City University and inter-groups. Press and police there. At about 10:30 the protesters moving within the university, improvising a meeting to decide what to do.
The chamber 201 is filled quickly. Among students of the State of Bicocca, the Group of Bovisa and some research, there are nearly three hundred people. Is advanced some proposals on the form that in the event. It was decided at the end for a single procession, between Porta Venezia and Padova destinations Avenue, the route will depend on the consultation with the police. 
few moments of tension when the procession was immediately closed in St. Catherine, while trying to reach Corso di Porta Romana. 
After the moment of confrontation with the police, the event proceeds in fits and starts in Via Francesco Sforza, behind the seat of the State, to the intersection of Via Umberto and Via Mascagni. From there you will agree with the police to Padua Avenue. Cordons and police cars and a large group of journalists and photographers, before and after a few steps up the rear. 
drums, whistles and chants underlying the protest from windows and balconies overlooking the coriosi. Does anyone indifferent, someone claps and encourages students, who respond by inviting them to come down and attend the event. 
Crossing the square and passing through Viale Romagna Susa, the parade proceed along Viale Lombardia, slowing traffic. Some motorists protest, others sound the horn, spurred on by the students themselves, as a sign of solitadietà . From megaphones come updates from the Senate: the extension of the first few hours of the vote, then the news of the definitive reference in the future.
are questions to 14.30, and in time to reach secondary school students who are gathering in Day of Pardon, the parade is shortened ritch: Via Giacosa Crespi in turn, and back to the meter Duomo by Pasteur. In addition, immigrants facing balconies and out into the street, attracted by the choirs of the community of students, "Against the Gemini and the Bossi-Fini we are all immigrants."
front of the State, collectives and high school students decide to meet again to riorganizzre the protest in the afternoon.
are questions to 14.30, and in time to reach secondary school students who are gathering in Day of Pardon, the parade is shortened ritch: Via Giacosa Crespi in turn, and back to the meter Duomo by Pasteur. In addition, immigrants facing balconies and out into the street, attracted by the choirs of the community of students, "Against the Gemini and the Bossi-Fini we are all immigrants." 
front of the State, collectives and high school students decide to meet again to riorganizzre the protest in the afternoon. Photo: Judith Grechi
be hosted by The Fourth State of Pellizza by Volpedo and, a few steps ahead, be faced with superstars such as Braque, Kandinsky, Matisse, Modigliani and Picasso, all within a few square meters, is an experience of a certain impact, where the eye of the visitor will certainly displaced. Indeed all'inestimabile value of work is added to the knowledge, right in the 'incipit the visit, face to face with some of the names most eminent twentieth-century art, thus able to evoke the collective expectations and suggestions. A consummate custom would lead anyone in his life has at least some time walking through the corridors of a museum, to prefigure works by such authors as laden succulent main course or as a delicious dessert at the end of a path. But here it is only a tantalizing appetizer. After three years of work, in fact, on December 6 was inaugurated the new museum devoted to the twentieth century, within the picturesque setting of "the thirties" of the Palace dell'Arengario. Through this project, the historic building full conquest, after more than seventy years after its construction, the relevance of naturally give the already impressive architecture and location in the heart of the city. The opening, in baptism you 
duced by the Mayor Moratti, the Culture and the Flory Finazzer Dorfles art critic, was greeted with great enthusiasm by the citizens. The flow is around to 9,000 people, among whom were mixed celebrities and intellectuals, for example, Ornella Vanoni, Elio Fiorucci and Dario For. Also Italo Rota, an architect from Milan whom we owe the conversion project in dell'Arengario Museum of the twentieth century, where he now is receiving a package of 400 works of art, selected from over 4,000 of public collections. Just this impoverishing expropriation against exposures "minor" raised voices of disapproval for now silenced by the successful debut of the museum. The pride of building design is the spiral ramp, similar to that of the Guggenheim in New York, which, descending as a root, connects the entrance to the museum by the Duomo metro station, as if to anchor the three levels of exposure to the city. 
the discussion and debunking Manzoni. Concluding the tour the stroboscopic phenomena perceptive Kinetic Art essentiality and material composition of the Arte Povera and Fabro Kounellis. 
