CENTRE ANTI-BLASPHEMY
CATHOLIC CHURCH IN THE HAND OF THE GOSPEL IS MADE THEATRE
**************************** **************************
trial of Jesus' of Diego Fabbri
Trial of Jesus of Diego Fabbri (1911-1980), represented for the first time in 1955,
written after a long gestation period from 1952 to 1954, he triumphed on stages all over the world.
The idea was born from the process in Locksmiths 'political' that a group of Anglo-Saxon lawyers had
in Jerusalem in 1933 and had concluded with the acquittal Jesus
PLOT FIRST ACT
A company of Jews turn to Europe by staging the same play every night:
the process to the historical Jesus of Nazareth, whose innocence is wondering.
This is a legal process, even if by doing so, Elijah, the head of the company,
poses to the public the same nagging question that haunts them.
addition to Elijah, there is Rebecca, his wife, their daughter Sarah, widow of Daniel, the court missing
and David, who denounced the Nazis as a jew Daniel, because he had become a Christian.
Elijah, Rebecca, Sara and David interpret the part of judges, splitting the roles,
always in a different way each night to ensure a new trend in the case and
entrusting the role of Daniel at a makeshift court that rises from the audience.
member of the family must be added the actor-characters of the crew:
well as Caiaphas and Pilate, the Apostles, Mary, Joseph and Mary Magdalene.
From these statements the process takes an unexpected turn and becomes human.
In the second act, the debate moves to the audience animating the public with new actors spectators
an intellectual who studied at the seminary, a priest, a young man who left the family home,
a prostitute, una donnetta delle pulizie.
Nelle corso del dibattimento vengono sviscerati i più reconditi segreti che hanno portato alla crocifissione di Gesù.
I testi dell'accusa svelano come nacque il complotto per arrestare il Nazareno.
L'infima ingordigia di potere di Caifa mal si cela nello stupore provato quando Pilato
restituì Gesù al Sinedrio che lo aveva condannato a morte. Sanguinario Caifa,
la mente, e altrettanto sanguinario Pilato, il braccio della morte.
Si scopre inoltre che la Madre di Gesù, Maria quando Gesù restò nel Tempio all'età di 12 anni
era convinta che Lui fosse in compagnia di Giuseppe and the same thought her father.
The prosecution did not give up: hungry for many years harbored a grudge against Jesus and his disciples,
gives vent to his anger by accusing Peter of being a coward and traitor to be a doubting Thomas ,
referring to the well known phrase that he said at the time:
"Unless I see Jesus and if you do not put my finger in his wounds I will not believe ..."
and yells at them causing the disappointment of defense that calls for the intervention of the President of the jury.
No less proud and Judas, the disciple who sold Jesus, the opposite of his former comrades do not believe in miracles convinced
how is it that his project was not to desire the death of Christ as only a lesson by the Sanhedrin. A worthless
his attempts to pretend to want a relationship with John that the contrasts
saying that Jesus would not have accepted.
Judah then pressed by the prosecution and defense leaves the stage cursing those 30 denier discarded Caiaphas.
Still have not pulled the threads of the process. Caiaphas and Pilate accusing each other of responsibility for Jesus' death and demonstrate an
undisputed mastery in the art of blame.
The defense lawyer tries to bring the trial on track by expressing the underlying reason of all present:
tutti avevano la speranza che Gesù facesse un miracolo dall'alto della Croce.
Tutti, anche i discepoli, si aspettavano qualcosa di forte che desse corpo a quanto da Gesù predicato fino a quel giorno.
Ma la figura di Maria Maddalena e di Lazzaro squarciano il grigio sipario dell'ignoranza esclamando che le parole
e i gesti miracolosi di Gesù non erano che Amore. L'Amore che Gesù e il Padre hanno per ognuno di noi.
SECONDO ATTO
Dai banchi assiepati del pubblico presente in chiesa esce una donna,
una giovane avvenente truccata di tutto punto che come Maria Maddalena "era una di quelle..."
E' lì per difendere Gesù, to combat the ignorance of the accusation that love does not understand anything.
And such and such is the fury of this woman "... you must not condemn Jesus even as a joke, I say no! No! No!"
and accusations do is listen in silence.
also another figure rises from the banks of the faithful to give a hand to the woman, and Mary Magdalene.
E 'an aged mother who wants to present its case. He had a grown son with a lot of sacrifices that one day he went away from home.
It was dark, thoughtful enough to frighten her, her mother. One night they are getting it from home,
accusing him of being a subversive ... But the pain
the bigger the news that one day he died. You can not come, but something is growing inside her.
your child feels as raised in his mind and his heart.
The talks, comfort, and trust in things that life has never said.
And this mother concluded her speech with the firm belief that one day I will review in Paradise.
A petition is aimed at the entire court, not to condemn Jesus "... fairy tales are not, Your Honor, is no certainty!
We did not touch Jesus, the Savior to be good: Be good with him and with us ... "
The prosecution has a surge of hate when he asks interruption of the process, but the president - by - the quiet.
President before pronouncing the sentence calls for them to witnesses who were Jesus
: "... who is - who is - for you, Jesus of Nazareth? ... Why not say it loud, everywhere and always, what you said tonight?
All you have to scream! All! Why else is repeated for you, what happened to us, then. In order to deny ... ...
to crucify Jesus ... I must now proclaim high ... and before all that ... I do not know if Jesus of Nazareth was the Messiah
that we were expecting ... I do not know ... but it is certain that he,
Him alone, nurtures and supports that day all the hopes of the world!
And I hereby proclaim the innocent ... and Martyr ... and driving ... "
the answers that the prosecution also added that now defeat, throws in the towel:
" has haunted me for years ... I was blinded ... and now has won ...".
Here is the president who in his arms wide, a preliminary release Jesus,
of the Jesus who has been listening in silence this case against him.
The sad conclusion we reach is "all put him to death with sorrow hidden, ma con un sospiro di sollievo…”
E alla fine, viene recitata una preghiera da ognuno degli attori:
"sete di Lui, del nostro Salvatore che in questo inizio del nuovo
millennio è sempre presente a tormentarci con il Suo implacabile amore".
**************************************************
Questa opera teatrale, una commedia con sapore anti-semita e dissacrante,
può essere fatta in teatro, ma rappresentarla in chiesa è davvero blasfemo.
Ecco i cattolici invece di leggere e seguire le Sacre Scritture che guidano
and saved, are lost in useless talk, by irreverent comedy.
And do these tricks even in the church near the altar.
these days is the play Trial of Jesus, is represented
in the parish of St. Joseph Molfetta:
http://www.quindici-molfetta.it/questa-sera-a-molfetta-processo-a- Jesus-the-church-Saint-giuseppe_18807.aspx
Other parishes have represented this:
http://www.radiolucesanzenone.it/Feste% 20Crocifisso/processo.htm
quest for the Catholic clergy ' work of fiction is by desecrating sacred
as ignorance and blasphemy!
L'opera sacra per il cristiano è solo la Sacra Bibbia!
http://www.culturacattolica.it/default.asp?id=102&id_n=4541
********************************************************************
http://sites.google.com/site/centroantiblasfemia/
27 03 2010
http://sites.google.com/site/centroantiblasfemia/Home/nella-chiesa-cattolica-invece-del-vangelo-si-fanno-spettacoli-teatrali
